I wish I had the photograph

P1000500

Just over 95 years ago [March 23, 1920] Kingsford-Smith, later to become Sir Charles Kingsford-Smith landed his Vickers Vimy (a World War 1 bomber bi-plane) at the culmination of the first plane flight from England to Australia at the Northfield aerodrome on the outskirts of Adelaide.  It is now an inner suburb.

As a young boy, during our car trips through this area, my father would often tell, and retell, the story of his moment of being part of this historic event. Now lost over time, there had been a photograph of my father as an eighteen-year old taken on that March day in 1920. P1000498  My father [eighteen at the time] had walked and hitched rides from his mother’s home at Parkside to watch the Vickers Vimy land at Northfield.

The press of the crowd, reported to be in the thousands, was too great for him to catch any more than a glimpse of the Australian heroes, but he was there.  He saw the plane and his stories made that historic moment mine as well.  Dad had a photograph of his moment, amongst the crowd, at the landing.

From the old photograph that was buried in the bottom drawer of the sideboard in our dining room at home, I can remember my father in his suit and tie, white shirt, and bowler hat, jauntily smiling at the camera. Why is this important to me, and today?

Wearing my father's 'restored'  bowler hat.

Wearing my father’s ‘restored’ bowler hat.

The old, black, bowler hat had been one of the heirlooms that somehow has been in my possession for thirty or more years.  Over time it had been severely damaged and I had often contemplated tossing it out.  However, I kept it.  Today I collected this special piece of history from ‘Adelaide Hatters’ in the Adelaide Arcade, where it had been beautifully restored.

I have my father’s bowler hat, but I wish I still had the photograph.

I’m struggling with nostalgia

Class Photo, Glen Osmond Primary School 1955

Class Photo, Glen Osmond Primary School 1955

Nostalgia is a word that is commonly used to describe those enjoyable moments in our respective pasts.  We may recall times of riding push-bikes or playing marbles in the gravel on the way home from school.  Or for the girls it may be those special dress-up events when they became little pink princesses, or created elaborate afternoon teas.  No I am not being politically incorrect or sexist, that is just the way we played as kids.

So why are Baby Boomers nostalgic for that past, the ‘other’, which is so different to the experiences of today?   Often the call is made: “It so nostalgic to remember those good old days“.

The defining and understanding of the term nostalgia has changed over more than two centuries of use. Its genesis comes from the Greek nostos, which means a return to your home and algia, meaning a hurtful or agonising ailment.  According to Davis (1979, p. 1), nostalgia was a medical condition described by Swiss physician Johannes Hofner, in the eighteen hundreds, as a disease showing signs of melancholy through to suicide.  It was caused by extended absences from a person’s home.

However, over prolonged time its medical determination transformed in to a popular understanding of nostalgia being a sentimental yearning for a past that is gone and cannot be relived.  Yet there is this desire by many to remember previous times with a degree of longing and angst of loss (Pickering & Keightley 2006, p. 920). Their discussion emphasises that this ache for nostalgia should not be censured, but embraced to show ‘how the past may actively engage with the present and future’ (2006, p. 920).  Nevertheless, a blanket acceptance of the comforting cocoon of nostalgia does not assume that this ‘past’ is analytically assessed (Hutcheon 1993, p. 245).

In recounting war-time activities with New Zealand soldiers, Hutching maintained that nostalgia is ‘about their activities as young men’ (2011, p. 237).  In a personal observation Australian sportsman, author and journalist Peter FitzSimons (2010, p. ix) views nostalgia as: “through my own experience and that of my family, the simplicity of a time long gone in Australia’s past” is realised.  It should not convey sadness or a sense of loss, but needs to offer the magic opportunity to recapture those former and glorious moments (Holak & Havlena 1998, p. 223).

Yet is unrealistic just to evoke, or call on the ‘good times’ and feelings of nostalgia.  We cannot bring bygone days to life, and as commented upon by Holak and Havlena (p. 222) this promotes the feeling of sadness and loss, because there is no return to the past.  The memory of the “good old days” sets up the conflicting emotions of desire and melancholy. A longing for the past is not necessarily about recalling essential details as it is claimed that “one can be nostalgic for something one never experienced” (Green-Lewis 2000, p. 66).

Nostalgia is a ‘coping mechanism’, helping to support our identity and provide an avenue for forgetting (Mannik 2011, p. 87).  It is in our individual memories however they are created, that we recall the myths, emotions, memories and richness of nostalgia.

This outlines why I am struggling with nostalgia.  I see it as encompassing both the good and the bad from my past, the happy and sad times and those exciting memories and times of embarrassment.

Still the question remains, what actually is nostalgia?  Above I recounted its medical basis and historically it has been described as a cerebral disease and a serious psychiatric condition (Routledge et al. 2011).  Marketers and advertisers have ‘tapped into’ this nostalgic concept more recently as it can shape consumer preferences (Holbrook 1993, p. 255; Holbrook & Schindler 1996, p. 36; Stern 1992).  Those interested in cultural studies and sociology consider that nostalgia is more than a return to our home; it is the desire to experience the past once again, or to languish in sentiment and the status quo? While the definitions vary somewhat the understanding is similar.  The perfection of the past or the future is seen against accepting and embracing the present (Wilson 1997, p. 132). Wilson (1997, p. 138) concludes with the observation that:

Perhaps the real secret pleasure of nostalgia is … experiencing the reality of change, the passage of time, and the existence of that great hinterland of ‘lost time’ that yet somehow is still within us.

She seems to be claiming that while we embrace change we yearn for the past, a paradoxical position. It is argued that nostalgia is searching in the past while concurrently it is a starting point as a guide into the future (Pickering & Keightley 2006, p. 921).   I prefer to see nostalgia in a similar manner to that of Routledge et al. and it is more than just a positive memory (2012, pp. 458-459):

It is the self-focused emotional process through which people recollect experiences that imbue their lives with meaning.

There are many facets from which to reflect upon nostalgia.

However, my emphasis and understanding is on the comfortable acceptance of it being memories, cloaked in a warm fondness that can be experienced now and conveyed into the future. To this point I again draw on Wilson and her acquiescence of the ambivalent nature of nostalgia and it embracing both the past and the future (1997, p. 139).

So do you understand nostalgia?

PS.  Can you find me in the photograph above?  I’m in the back row, third from the left.

Update: Australian Generations Oral History Project

In December last year (2013) I was interviewed as part of the Australia wide ‘Australian Generations Oral History Project‘.  I found the process of being interviewed, rather than being the interviewer a challenging experience.  I enjoyed it, but having to quickly decide what to talk about – or leave out – kept me very aware that this interview would be archived for ‘eternity’ and anyone who wished could access it.  It was a warts interview, but not warts and all, some stories I didn’t tell.  We all have secrets and embarrassing moments in our lives.  I have related some of those incidents, but without completely embarrassing myself.  I talked about some of the drama I experienced in my various professional roles, being assaulted (physically) by a teacher at high school and as a teenager in the 60s.

David Sweet at Australian Generations Conference Monash University, October 31, 2014

Over two days in October, Professor Alistair Thomson, Monash University hosted a series of presentations by the project research team members including papers on project findings and about the team’s oral history methodology.  Professor Michael Frisch, the internationally renowned oral and public historian, delivered the Keynote Address at the public launch of the conference on Thursday 30 October 2014 at the State Library of Victoria.  Attending these sessions was enjoyable, an excellent learning experience and meeting colleagues (old and new) in the family and oral history research genre.

Check out the Australian Generations Report site.

Death can be a release

On Saturday October 4, 2014 my sister Judith died.  She was 79, but her life was lost five years ago with the onset of dementia.  Earlier this week, at her funeral, I had to give the hardest speech of my life, Judith’s eulogy.  I have added it to the stories in this Blog as part of our family’s oral history.  You may enjoy my memories of Judith.

The Finding Nell Thomson Project

In my developing interest in oral history and photography I came across this example of a brief, but an engaging use of what can be done using multimedia and the internet.  Quoting from the web site: ‘finding Nell Thomson is about war’s lingering impact, and about family secrets and healing histories.’ Check it out for an interesting and provocative story.

A Brief Explanation

During the past 66 years, the Baby Boomers and their families have become the most photographed body of people in history.  They have grown up with the advent of mass produced cameras, cost effective film and photographic production techniques, and now, digital photomedia technology.  The celebration, drama, loves, desires, and evolution of their lives have been photographically recorded, but often lies forgotten and ‘unloved’ in dusty boxes, unopened albums and cluttered drawers in homes throughout Australia. Conrad in ‘At Home in Australia’ (2003, p. 85) talks of, ‘…a treasure chest…where his parents kept their photos.’  My research opens up these containers of photographs, to investigate and record each participant’s engagement with the ‘still’ photographic mediums and its influence on them, the recording of the lives of their families, their interpretations of nostalgia and their recollections through reconstructed memory.

Australia appears to be evolving a culture, “throw it away, make room for the new, it costs too much to store, we don’t need that old stuff”. The concepts of dumping and the use of landfill sites fills me with dread.  I am scared that my life, my memories, my records will be processed in to recycled packaging for a new, must have, piece of technology for the next generation.  Yet this does not make me a Luddite one who is against advancement and development.  I love new technology and the evolution of our culture; but in this research I argue that our history, our past, is the solid foundation on which we build our future. The old does not have to be tossed aside to make way for the new.  In a poignant article in the Sydney Morning Herald about burning, selling or denying our past, journalist Bob Ellis comments: ‘…how little we do in Australia to keep hold of the past.’ (Ellis 1999)

Welcome to a Baby Boomer’s Legacy

This site was created some years ago as part of a teaching exercise.  My students went on to publish great Blogs.  I spent my time reading their work and did nothing myself.  Over the coming weeks and months I hope to populate this site with comments on my interests, research, teaching and travel.  May be the odd comment on current events might surface as well.  However, it will not be a site for political ideology , or rants on other’s beliefs.